Gaston Henri Charles Antoine Serpette (1873–1928) was a French composer and music theorist known primarily for his contributions to early 20th-century classical music. His work spanned various genres, including orchestral, chamber music, and operatic compositions, reflecting the transitional styles of the time. Serpette's notable works include the orchestral suite "Danses de la mer" and the opera "Le Temple de la Gloire," which showcased his ability to blend traditional harmonic structures with emerging modernist techniques. His compositions often drew on French folk themes, contributing to the development of a nationalistic style that resonated with contemporaneous movements in France. While not as widely known as his contemporaries, Serpette's impact lies in his role as a pedagogue and theorist; he was influential in music education and the promotion of contemporary music practices in France. His writings and teachings helped shape the next generation of composers, making him an important figure in the evolution of 20th-century music. Despite a relatively limited catalog, Serpette's works reflect the innovative spirit of his time and continue to be of interest to scholars and musicians exploring the period's diverse musical landscape.